Copyright 2006 Melissa Galt
Your decorating isn’t complete until you add the finish and polish on your rooms. In part 1 of this series, we touched on ideas and sources for some wonderful window treatments, awesome accessories and collectibles. In this second and final part, we’ll address how to incorporate delightful artwork to add personality and character to your interior.
When it comes to artwork, original is usually preferred. Sure it is easy to find a mass produced print that will coordinate with your decor but that lacks inspiration and creativity. Besides, good art never matches your sofa! Consider the myriad of galleries specializing in local artists’ work or even regional Southern artists. All manner of styles, subject matter and price points ($25 - $5000+) are readily available. There is never a guarantee of increase in value in art, and it tends to be difficult to sell second hand, so purchase from your heart, not your wallet. Most galleries (the better ones) will let you check out pieces for 24-48 hours on approval. This makes decisions much easier, so always ask.
Don’t be concerned about creating an eclectic mix. Since you are the constant in the collecting, usually the pieces you select will all work together. Consider buying in odd numbers, again, to keep the dynamic up. And, if you can, limit yourself to no more than three pieces by any given artist, as you may be out of wall space and money when you discover your next favorite! The key to effective hanging of pictures is the height. Determine the height, based on the activity of the room. If it is a foyer, you are likely standing, so the middle of the picture should be eye level for standing. If it is the dining room, you are usually sitting, so lower the artwork to a more appropriate height. This may feel strange at first. Give it a week or two, and you’ll adjust.
In many cases artwork is best served by light outside mats and wider moldings (framing). Colored mats can distract from the image, and poorly proportioned framing won’t give the piece the proper emphasis. You’ll also find that, as mentioned with accessories, it can be of greatest success to hang all gold frames together on one wall, silver on another and the like. This deemphasizes the framing and provides maximum focus on the art. Frame for the art, not the room, because you may move the piece later. Framing is an investment in the life of the piece and when done properly will not have to be redone. Do it right the first time.
Be aware, too, that some images are room specific. In other words, they tend to feel more appropriate in a bedroom setting than the dining room or vice versa. Fruit and vegetables imagery is often relegated to the dining room or kitchen, landscapes are frequently found in living rooms, angelic and cherubic subjects are usually in bedrooms when used. How much art you have is largely personal. Some like very little empty wall space, others like just a handful of pieces in almost a museum like setting. Always hang pairs or suites of images together, or else they’ll appear stranded. Group pictures together using similar spacing and keeping either the top or bottom height consistent to avoid a chaotic look. Remember, you want to notice the pictures, not the way they are hung.
Some of the best resources for original art north of the Perimeter are Raiford Gallery, Heaven Blue Rose, Gallery V, Main Street Gallery, Sandra Milton Gallery, Spruill Art Gallery, and Shiki at Perimeter Mall. Again, there’s something for everyone and for all ages.
In personalizing your home, take your time and have fun with it. If you are more inclined to get it all done at once and don’t know where to start, call a qualified design professional. Their expertise and guidance can be invaluable, and many work by the hour, both consulting and sourcing. Your home is your castle, your haven, your place to enjoy. Make the most of it!
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Saturday, September 1, 2012
Wednesday, August 11, 2010
Authenticity of Inuit Eskimo Art and Native American Art
Both Inuit Eskimo art and Native American art have gained international recognition as valuable art forms over the past few decades. However, the rising popularity of both Inuit Eskimo art and Native American art has resulted in the increased proliferation of imitations and mass-produced reproductions of original Native arts. Some obvious fakes are made in Asia from molds where the finished pieces are forms of plastic, resin or ceramic.
Other fakes are actually made of cast stone simulating actual Inuit Eskimo art carvings and wood for imitation Native American carvings. These fakes, which are harder to distinguish from authentic artwork, are often hand carved reproductions of an original piece of artwork. Workshops have illegally reproduced hundreds of copies without the artisan’s permission. The counterfeiting companies would then attach some type of tag that claims the fake pieces were influenced by aboriginal artisans and even background information on the Native designs used in the artwork. Some even go as far as adding in Inuit syllabics on the bottom of the fake Inuit Eskimo art carvings.
These are very deceptive tactics on their part since they give the consumers the impression that the imitations are authentic and income producing for the aboriginal communities. Fakes and imitations have lowered the image of authentic Inuit Eskimo art and Native American art. Sales of genuine aboriginal artwork have declined which in turn have deprived aboriginal artisans of income. The argument against these claims is that not every consumer can afford to buy authentic Inuit Eskimo art or Native American art so the souvenir level reproductions legitimately meet this part of the market. The imitations, which are usually low priced, enable students visiting Canada for example, to bring home a Canadian souvenir without breaking their travel budget. This claim would have more support from Native communities if aboriginal artisans were paid a fair royalty as income for each imitation and reproduction piece sold. However, this is seldom the case since most of the time, no royalties are paid at all.
The obvious fakes can be spotted quite easily. An imitation of an Inuit Eskimo art carving spotted at a gift shop was not made of stone as it was not cold to the touch. It was very light in weight unlike a stone which has some mass to it. The detail and the bottom of the piece had the molded look to it. There was even a sticker on the bottom with the company name Wolf Originals. Side by side comparisons of similar pieces in the souvenir store revealed that they were all identical in every detail, which is impossible for original artwork.
A black totem pole had a very flat uniform back and bottom again giving away the fact that it came from a mold. Other totem poles made from wood or mixed wood with a claim that they were hand painted were among many similar pieces in the store. All of these examples were each priced less than $20 Canadian which was another indicator that they were not original artwork.
Imitations of Inuit Eskimo art sculptures were recently spotted for sale in shops located at major Canadian airports. From a distance, these Inuit Eskimo art sculptures of hunters, polar bears and Inuit women with children looked very authentic. However, each piece had several identical copies on the same shelf.
To avoid accidentally buying a fake or imitation, it is suggested that consumers buy Inuit Eskimo art and Native American art from only reputable galleries and dealers rather than from tourist souvenir shops. A piece of original, authentic Inuit Eskimo art or Native American art is one of a kind. There should be no other identical pieces on the shelves. In addition, original Inuit Eskimo art carvings should come with an Igloo tag (or sticker) which is a Canadian government registered trademark. Inuit Eskimo art carvings that are certified by the Canadian government to be handmade by Inuit artisans, come with Igloo tags.
Other fakes are actually made of cast stone simulating actual Inuit Eskimo art carvings and wood for imitation Native American carvings. These fakes, which are harder to distinguish from authentic artwork, are often hand carved reproductions of an original piece of artwork. Workshops have illegally reproduced hundreds of copies without the artisan’s permission. The counterfeiting companies would then attach some type of tag that claims the fake pieces were influenced by aboriginal artisans and even background information on the Native designs used in the artwork. Some even go as far as adding in Inuit syllabics on the bottom of the fake Inuit Eskimo art carvings.
These are very deceptive tactics on their part since they give the consumers the impression that the imitations are authentic and income producing for the aboriginal communities. Fakes and imitations have lowered the image of authentic Inuit Eskimo art and Native American art. Sales of genuine aboriginal artwork have declined which in turn have deprived aboriginal artisans of income. The argument against these claims is that not every consumer can afford to buy authentic Inuit Eskimo art or Native American art so the souvenir level reproductions legitimately meet this part of the market. The imitations, which are usually low priced, enable students visiting Canada for example, to bring home a Canadian souvenir without breaking their travel budget. This claim would have more support from Native communities if aboriginal artisans were paid a fair royalty as income for each imitation and reproduction piece sold. However, this is seldom the case since most of the time, no royalties are paid at all.
The obvious fakes can be spotted quite easily. An imitation of an Inuit Eskimo art carving spotted at a gift shop was not made of stone as it was not cold to the touch. It was very light in weight unlike a stone which has some mass to it. The detail and the bottom of the piece had the molded look to it. There was even a sticker on the bottom with the company name Wolf Originals. Side by side comparisons of similar pieces in the souvenir store revealed that they were all identical in every detail, which is impossible for original artwork.
A black totem pole had a very flat uniform back and bottom again giving away the fact that it came from a mold. Other totem poles made from wood or mixed wood with a claim that they were hand painted were among many similar pieces in the store. All of these examples were each priced less than $20 Canadian which was another indicator that they were not original artwork.
Imitations of Inuit Eskimo art sculptures were recently spotted for sale in shops located at major Canadian airports. From a distance, these Inuit Eskimo art sculptures of hunters, polar bears and Inuit women with children looked very authentic. However, each piece had several identical copies on the same shelf.
To avoid accidentally buying a fake or imitation, it is suggested that consumers buy Inuit Eskimo art and Native American art from only reputable galleries and dealers rather than from tourist souvenir shops. A piece of original, authentic Inuit Eskimo art or Native American art is one of a kind. There should be no other identical pieces on the shelves. In addition, original Inuit Eskimo art carvings should come with an Igloo tag (or sticker) which is a Canadian government registered trademark. Inuit Eskimo art carvings that are certified by the Canadian government to be handmade by Inuit artisans, come with Igloo tags.
Tuesday, August 10, 2010
Artists Biographies on Film: Top Movies about Visual Artists
Visual artists biographies is a popular theme in the movie world. Moviemakers have always been fascinated by visual artists biographies, especially if it includes struggle with insanity, drug addiction or social conventions. In addition, it gives them an opportunity to depict original or resurrected artworks on the big screen.
Here you can read about some of the most interesting movies about visual artists biographies.
Lust for Life directed by Vincente Minnelli in 1952
Vincent Van Gogh biography had gained several cinematic adaptations. Lust for Life with Kirk Douglas as the struggling artist is one of the most notable. The movie is based on a best selling book by Irving Stone, who also authored The Agony and the Ecstasy about Michelangelo, which also had appeared on the silver screen.
If you are a fan of Van Gogh artwork, you would enjoy watching Last for Life, which features almost 200 of Van Goghs original paintings. However, if you are familiar with Kirk Douglas previous filmographic, seeing him as a tortured Dutch painter might take a little adjustment. Another recommended film about Van Gogh is Robert Altmans Vincent and Theo from 1990.
Surviving Picasso directed by James Ivory in 1996
Like Van Gogh, Pablo Picasso image made him an iconic figure outside the artistic circles. While Van Gogh symbolizes the self destructive, manic depressive artist who achieves success only after his death, Picasso represents the misanthropic and womanizer artist. Picasso infamous relationship with women is the focus of this Merchant and Ivory film. The story is told from the eyes of Picasso mistress Francoise Gilot and features only reproductions of Picasso works. With Anthony Hopkins talent and his physical resemblance to Picasso, Surviving Picasso manages to create an unflattering portrait of an artist as a cruel, self centered genius.
Girl with Pearl Earring directed by Peter Webber in 2003
Comparing to Van Gogh and Picasso, Vermeers biography is less known and less controversial. Therefore Girl with Pearl Earring is much more restrained and delicate. The movie focuses on a short period in Vermeers life in which he was painting the portrait of his young low class maid. Although Girl with Pearl Earring does not avoid filmic conventions by over dramatizing Vermeers painting process, the movie is worth watching if only for its artistic design, which success in evoking Vermeers perception of light and color.
Basquiat directed by Julian Schnabel in 1996
The most common critique against movies that deals with visual arts is the way they depict the creation process. Therefore, there were big expectations from Basquiat, which was directed by the celebrated painter Julian Schnabel. Schnabel did well in depicting Jean Michelle Basquiat rise and fall story in less the predictable manner we have seen millions time before. However, the only reason to watch Basquiat is David Bowie plays the role of Andy Warhol.
Frida directed by Julie Taymor in 2002
Like most of the visual artists who had their life story appear on the silver screen, Frida Kahlo carried an unusual biography, which includes bus accident, problematic marriage, and an affair with Leon Trotsky. Like Van Gogh, Picasso and Jackson Pollock, who was the subject of a biopic from 2000, Frida Kahlo was an icon long before Frida was released, but the 123 minutes film did help to strength her position as a feminist idol and probably the most famous woman painter of the 20 century. Frida tries its best to integrate Frida Kahlo life story with her painting and the result is very colorful and pleasant, but still does not stay far enough from the conventions of depicting artists on film.
Here you can read about some of the most interesting movies about visual artists biographies.
Lust for Life directed by Vincente Minnelli in 1952
Vincent Van Gogh biography had gained several cinematic adaptations. Lust for Life with Kirk Douglas as the struggling artist is one of the most notable. The movie is based on a best selling book by Irving Stone, who also authored The Agony and the Ecstasy about Michelangelo, which also had appeared on the silver screen.
If you are a fan of Van Gogh artwork, you would enjoy watching Last for Life, which features almost 200 of Van Goghs original paintings. However, if you are familiar with Kirk Douglas previous filmographic, seeing him as a tortured Dutch painter might take a little adjustment. Another recommended film about Van Gogh is Robert Altmans Vincent and Theo from 1990.
Surviving Picasso directed by James Ivory in 1996
Like Van Gogh, Pablo Picasso image made him an iconic figure outside the artistic circles. While Van Gogh symbolizes the self destructive, manic depressive artist who achieves success only after his death, Picasso represents the misanthropic and womanizer artist. Picasso infamous relationship with women is the focus of this Merchant and Ivory film. The story is told from the eyes of Picasso mistress Francoise Gilot and features only reproductions of Picasso works. With Anthony Hopkins talent and his physical resemblance to Picasso, Surviving Picasso manages to create an unflattering portrait of an artist as a cruel, self centered genius.
Girl with Pearl Earring directed by Peter Webber in 2003
Comparing to Van Gogh and Picasso, Vermeers biography is less known and less controversial. Therefore Girl with Pearl Earring is much more restrained and delicate. The movie focuses on a short period in Vermeers life in which he was painting the portrait of his young low class maid. Although Girl with Pearl Earring does not avoid filmic conventions by over dramatizing Vermeers painting process, the movie is worth watching if only for its artistic design, which success in evoking Vermeers perception of light and color.
Basquiat directed by Julian Schnabel in 1996
The most common critique against movies that deals with visual arts is the way they depict the creation process. Therefore, there were big expectations from Basquiat, which was directed by the celebrated painter Julian Schnabel. Schnabel did well in depicting Jean Michelle Basquiat rise and fall story in less the predictable manner we have seen millions time before. However, the only reason to watch Basquiat is David Bowie plays the role of Andy Warhol.
Frida directed by Julie Taymor in 2002
Like most of the visual artists who had their life story appear on the silver screen, Frida Kahlo carried an unusual biography, which includes bus accident, problematic marriage, and an affair with Leon Trotsky. Like Van Gogh, Picasso and Jackson Pollock, who was the subject of a biopic from 2000, Frida Kahlo was an icon long before Frida was released, but the 123 minutes film did help to strength her position as a feminist idol and probably the most famous woman painter of the 20 century. Frida tries its best to integrate Frida Kahlo life story with her painting and the result is very colorful and pleasant, but still does not stay far enough from the conventions of depicting artists on film.
Saturday, August 7, 2010
Art Theft: Most Famous Cases in History
Art theft is an ancient and complicated crime. When you look at the some of the most famous cases of art thefts in history, you see thoroughly planned operations that involve art dealers, art fakers, mobsters, ransoms, and millions of dollars. Here you can read about some of the most famous cases of art theft in the history.
The First Theft:
The first documented case of art theft was in 1473, when two panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were stolen. While the triptych was being transported by ship from the Netherlands to Florence, the ship was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption.
The Most Famous Theft:
The most famous story of art theft involves one of the most famous paintings in the world and one of the most famous artists in history as a suspect. In the night of August 21, 1911, the Mona Lisa was stolen out of the Louver. Soon after, Pablo Picasso was arrested and questioned by the police, but was released quickly.
It took about two years until the mystery was solved by the Parisian police. It turned out that the 30×21 inch painting was taken by one of the museum employees by the name of Vincenzo Peruggia, who simply carried it hidden under his coat. Nevertheless, Peruggia did not work alone. The crime was carefully conducted by a notorious con man, Eduardo de Valfierno, who was sent by an art faker who intended to make copies and sell them as if they were the original painting.
While Yves Chaudron, the art faker, was busy creating copies for the famous masterpiece, Mona Lisa was still hidden at Peruggias apartment. After two years in which Peruggia did not hear from Chaudron, he tried to make the best out of his stolen good. Eventually, Peruggia was caught by the police while trying to sell the painting to an art dealer from Florence, Italy. The Mona Lisa was returned to the Louver in 1913.
The Biggest Theft in the USA:
The biggest art theft in United States took place at the Isabella Stewart Gardner Museum. On the night of March 18, 1990, a group of thieves wearing police uniforms broke into the museum and took thirteen paintings whose collective value was estimated at around 300 million dollars. The thieves took two paintings and one print by Rembrandt, and works of Vermeer, Manet, Degas, Govaert Flinck, as well as a French and a Chinese artifact.
As of yet, none of the paintings have been found and the case is still unsolved. According to recent rumors, the FBI are investigating the possibility that the Boston Mob along with French art dealers are connected to the crime.
The Scream:
The painting by Edvard Munchs, The Scream, is probably the most sought after painting by art thieves in history. It has been stolen twice and was only recently recovered. In 1994, during the Winter Olympics in Lillehammer, Norway, The Scream was stolen from an Oslo gallery by two thieves who broke through an open window, set off the alarm and left a note saying: thanks for the poor security.
Three months later, the holders of the painting approached the Norwegian Government with an offer: 1 million dollars ransom for Edvard Munchs The Scream. The Government turned down the offer, but the Norwegian police collaborated with the British Police and the Getty Museum to organize a sting operation that brought back the painting to where it belongs.
Ten years later, The Scream was stolen again from the Munch Museum. This time, the robbers used a gun and took another of Munchs painting with them. While Museum officials waiting for the thieves to request ransom money, rumors claimed that both paintings were burned to conceal evidence. Eventually, the Norwegian police discovered the two paintings on August 31, 2006 but the facts on how they were recovered are not known yet.
The First Theft:
The first documented case of art theft was in 1473, when two panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were stolen. While the triptych was being transported by ship from the Netherlands to Florence, the ship was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption.
The Most Famous Theft:
The most famous story of art theft involves one of the most famous paintings in the world and one of the most famous artists in history as a suspect. In the night of August 21, 1911, the Mona Lisa was stolen out of the Louver. Soon after, Pablo Picasso was arrested and questioned by the police, but was released quickly.
It took about two years until the mystery was solved by the Parisian police. It turned out that the 30×21 inch painting was taken by one of the museum employees by the name of Vincenzo Peruggia, who simply carried it hidden under his coat. Nevertheless, Peruggia did not work alone. The crime was carefully conducted by a notorious con man, Eduardo de Valfierno, who was sent by an art faker who intended to make copies and sell them as if they were the original painting.
While Yves Chaudron, the art faker, was busy creating copies for the famous masterpiece, Mona Lisa was still hidden at Peruggias apartment. After two years in which Peruggia did not hear from Chaudron, he tried to make the best out of his stolen good. Eventually, Peruggia was caught by the police while trying to sell the painting to an art dealer from Florence, Italy. The Mona Lisa was returned to the Louver in 1913.
The Biggest Theft in the USA:
The biggest art theft in United States took place at the Isabella Stewart Gardner Museum. On the night of March 18, 1990, a group of thieves wearing police uniforms broke into the museum and took thirteen paintings whose collective value was estimated at around 300 million dollars. The thieves took two paintings and one print by Rembrandt, and works of Vermeer, Manet, Degas, Govaert Flinck, as well as a French and a Chinese artifact.
As of yet, none of the paintings have been found and the case is still unsolved. According to recent rumors, the FBI are investigating the possibility that the Boston Mob along with French art dealers are connected to the crime.
The Scream:
The painting by Edvard Munchs, The Scream, is probably the most sought after painting by art thieves in history. It has been stolen twice and was only recently recovered. In 1994, during the Winter Olympics in Lillehammer, Norway, The Scream was stolen from an Oslo gallery by two thieves who broke through an open window, set off the alarm and left a note saying: thanks for the poor security.
Three months later, the holders of the painting approached the Norwegian Government with an offer: 1 million dollars ransom for Edvard Munchs The Scream. The Government turned down the offer, but the Norwegian police collaborated with the British Police and the Getty Museum to organize a sting operation that brought back the painting to where it belongs.
Ten years later, The Scream was stolen again from the Munch Museum. This time, the robbers used a gun and took another of Munchs painting with them. While Museum officials waiting for the thieves to request ransom money, rumors claimed that both paintings were burned to conceal evidence. Eventually, the Norwegian police discovered the two paintings on August 31, 2006 but the facts on how they were recovered are not known yet.
Friday, January 16, 2009
Los Nombres Detras de Las Bandas de Musica
Muchas bandas de música son nombradas a partir de diferentes situaciones, personas o cosas que jamás te haz imaginado. Aquí te contaremos todas las historias detrás de las bandas de música más famosas de la historia. Los orígenes de las bandas de rock y seudónimos de artistas son un misterio que te revelaremos aquí. Diviértete!
1) Los Bee Gees:
Los hermanos Giba primero tuvieron en mente el nombre de " Los Rattlensnakes" para su banda. Luego tuvieron la idea de honorar las iniciales de los dos hermanos Giba y un amigo cercano y uno de sus primeros soportes, DJ Hill Gates, quien no tiene nada que ver con el fundador de Microsoft. Es así como Los Bee Gees fueron nombrados luego de las iniciales Bill Gates.
2) Bob Dylan:
Su nombre original es Robert Zimmerman, y era demasiado largo y además el era un fanático de Dylan Thomas.
3) The Doors:
Primero fueron nombrados Psychedelic Ranger. Luego fueron inspirados por una cita de William Blake: "si las puertas (doors) de la percepción serian lavadas, todo aparecería al hombre como es, infinito."
4) Elton John:
Su nombre real es Reginald Dwight. Tomo su nombre artístico de otros músicos británicos, Elton Dean y John Baldry.
5) Elvis Costello:
Nació llamado Decían Patrick McManus. Cuando comenzó su carrera musical, adopto un alias creado por una combinación de Elvis Presley y Lou Costello, simplemente porque representa lo opuesto de el otro Elvis.
6) Eurythmics:
Su nombre es originado en un sistema de instrucción musical de 1890 que se focaliza en respuestas físicas.
7) Everything but the Girl:
Se inspiraron en una propaganda de ropa británica que vendía todo menos a la chica (Everything but the girl). La implicación era que todo estaba en rebajas menos las cosas de chica.
8) Green Day:
Si fumas marihuana y luego te relajas todo el día, has tenido un día verde (Green Day).
9) Guns and Roses:
De los nombres de Axl Rose y Tracii Guns.
10) Marilyn Manson:
El seudónimo del líder de la banda mezclo dos de las celebridades favoritas americanas: Marilyn Monroe y Charles Manson. Otros miembros de la banda usan los pseudonimos Ginger Fish, Twiggy Ramirez y Madonna Wayne Gacy.
11) Nirvana:
En el budismo significa el estado de bendición perfecta obtenida por la destrucción de uno mismo.
12) Pet Shop Boys:
En la disco gay "underground" habían los cuartos oscuros en los cuales no sabes con quien estas teniendo sexo. Una variación son los Pet Shops: no sabes con lo que lo estas haciendo.
13) Queen:
Una palabra que caracteriza a los travestis y la realeza. Connotaciones perfectas para el nombre de la banda en los ojos de Freddie Mercury.
14) Ramones:
Una historia un poco "freaky". En el principio de su carrera, Paul McCartney se llamaba a si mismo Paul Ramone.
15) R.E.M:
"Rapad Eye Movement" Movimiento rápido de ojos, que es un estado de sueño.
16) TLC:
Las iniciales de los apodos de los miembros de la banda son T Boz, Left Eye y Chilli. También sugiere los acrónimos de "Tender, Loving y Care".
17) UB40:
La banda fue desde un principio relacionada con temas políticos y fue nombrada a partir de un formulario de desempleo en británico.
18) U2:
Un tipo de avión espía usado por los estados unidos, Bono explico una vez que U2 creció de pensamientos de interacción con la audiencia... como en "you too" (vos también).
19) Velvet Underground:
Nombrados a partir de un titulo de un libro de sexo desconocido que uno de los miembros de la banda había encontrado tirado en la calle.
20) XTC:
Esta banda de punk fue formada en 1976 antes de que usar drogas sea popular. La banda había cambiado su nombre original Star Park luego de mirar a Jimmy Durante clip en el que dice:"Estoy en Éxtasis!"
21) Yeh Yeh Yeh:
De acuerdo a Karen O, la inspiración de esta banda de Hip hop vino de la frase Newyorkina que significa "Whatever".
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